Description and evaluation of a hearing conservation program in use in a professional symphony orchestra.
Identifieur interne : 000E47 ( Main/Exploration ); précédent : 000E46; suivant : 000E48Description and evaluation of a hearing conservation program in use in a professional symphony orchestra.
Auteurs : Ian O'Brien [Australie] ; Tim Driscoll [Australie] ; Bronwen Ackermann [Australie]Source :
- The Annals of occupational hygiene [ 1475-3162 ] ; 2015.
Descripteurs français
- KwdFr :
- Australie (MeSH), Collecte de données (méthodes), Dispositifs de protection des oreilles (statistiques et données numériques), Enquêtes et questionnaires (MeSH), Exposition professionnelle (analyse), Exposition professionnelle (effets indésirables), Groupes de discussion (MeSH), Humains (MeSH), Innovation organisationnelle (MeSH), Maladies professionnelles (prévention et contrôle), Musique (MeSH), Professions (MeSH), Surdité due au bruit (prévention et contrôle), Tests auditifs (MeSH), Évaluation de programme (MeSH).
- MESH :
- analyse : Exposition professionnelle.
- effets indésirables : Exposition professionnelle.
- méthodes : Collecte de données.
- prévention et contrôle : Maladies professionnelles, Surdité due au bruit.
- statistiques et données numériques : Dispositifs de protection des oreilles.
- Australie, Enquêtes et questionnaires, Groupes de discussion, Humains, Innovation organisationnelle, Musique, Professions, Tests auditifs, Évaluation de programme.
- Wicri :
- geographic : Australie.
English descriptors
- KwdEn :
- Australia (MeSH), Data Collection (methods), Ear Protective Devices (statistics & numerical data), Focus Groups (MeSH), Hearing Loss, Noise-Induced (prevention & control), Hearing Tests (MeSH), Humans (MeSH), Music (MeSH), Occupational Diseases (prevention & control), Occupational Exposure (adverse effects), Occupational Exposure (analysis), Occupations (MeSH), Organizational Innovation (MeSH), Program Evaluation (MeSH), Surveys and Questionnaires (MeSH).
- MESH :
- geographic : Australia.
- adverse effects : Occupational Exposure.
- analysis : Occupational Exposure.
- methods : Data Collection.
- prevention & control : Hearing Loss, Noise-Induced, Occupational Diseases.
- statistics & numerical data : Ear Protective Devices.
- Focus Groups, Hearing Tests, Humans, Music, Occupations, Organizational Innovation, Program Evaluation, Surveys and Questionnaires.
Abstract
Professional orchestral musicians risk permanent hearing loss while playing their instruments. Protecting the hearing of these musicians in the workplace is critical to their ongoing ability to play their instruments, but typical workplace hearing conservation measures can have very damaging effects on the product (music) and the musicians' abilities to hear one another sufficiently. To enable effective intervention, orchestras as employers must encourage engagement with hearing protection programs and implement controls while preserving the integrity of the music. To achieve this, typical approaches used in other industries must be redesigned to suit this unique workplace. In response to these challenges, the Queensland Symphony Orchestra (Brisbane, Australia) introduced a comprehensive hearing conservation strategy in 2005 based upon best practice at the time. This strategy-which has been regularly refined-continues to be implemented on a daily basis. This investigation aimed to assess the successes, difficulties, and practical viability of the program. To achieve this a process evaluation was carried out, incorporating archival analyses, player and management focus groups, and an interview with the program's administrator. Results show the program has successfully become integrated into the orchestra's and the musicians' daily operations and significantly contributes to managing the risk of hearing loss in this population. While there is room for improvement in the orchestra's approach-particularly regarding usable personal protective devices and improved education and training, results are encouraging. This study provides a basis for those wishing to implement or evaluate similar paradigms.
DOI: 10.1093/annhyg/meu092
PubMed: 25381186
Affiliations:
Links toward previous steps (curation, corpus...)
Le document en format XML
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questionnaires (MeSH)</term><term>Exposition professionnelle (analyse)</term><term>Exposition professionnelle (effets indésirables)</term><term>Groupes de discussion (MeSH)</term><term>Humains (MeSH)</term><term>Innovation organisationnelle (MeSH)</term><term>Maladies professionnelles (prévention et contrôle)</term><term>Musique (MeSH)</term><term>Professions (MeSH)</term><term>Surdité due au bruit (prévention et contrôle)</term><term>Tests auditifs (MeSH)</term><term>Évaluation de programme (MeSH)</term></keywords><keywords scheme="MESH" type="geographic" xml:lang="en"><term>Australia</term></keywords><keywords scheme="MESH" qualifier="adverse effects" xml:lang="en"><term>Occupational Exposure</term></keywords><keywords scheme="MESH" qualifier="analyse" xml:lang="fr"><term>Exposition professionnelle</term></keywords><keywords scheme="MESH" qualifier="analysis" xml:lang="en"><term>Occupational Exposure</term></keywords><keywords scheme="MESH" qualifier="effets indésirables" 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Protecting the hearing of these musicians in the workplace is critical to their ongoing ability to play their instruments, but typical workplace hearing conservation measures can have very damaging effects on the product (music) and the musicians' abilities to hear one another sufficiently. To enable effective intervention, orchestras as employers must encourage engagement with hearing protection programs and implement controls while preserving the integrity of the music. To achieve this, typical approaches used in other industries must be redesigned to suit this unique workplace. In response to these challenges, the Queensland Symphony Orchestra (Brisbane, Australia) introduced a comprehensive hearing conservation strategy in 2005 based upon best practice at the time. This strategy-which has been regularly refined-continues to be implemented on a daily basis. This investigation aimed to assess the successes, difficulties, and practical viability of the program. To achieve this a process evaluation was carried out, incorporating archival analyses, player and management focus groups, and an interview with the program's administrator. Results show the program has successfully become integrated into the orchestra's and the musicians' daily operations and significantly contributes to managing the risk of hearing loss in this population. While there is room for improvement in the orchestra's approach-particularly regarding usable personal protective devices and improved education and training, results are encouraging. This study provides a basis for those wishing to implement or evaluate similar paradigms.</div></front></TEI><pubmed><MedlineCitation Status="MEDLINE" Owner="NLM"><PMID Version="1">25381186</PMID><DateCompleted><Year>2016</Year><Month>03</Month><Day>07</Day></DateCompleted><DateRevised><Year>2019</Year><Month>12</Month><Day>10</Day></DateRevised><Article PubModel="Print-Electronic"><Journal><ISSN IssnType="Electronic">1475-3162</ISSN><JournalIssue CitedMedium="Internet"><Volume>59</Volume><Issue>3</Issue><PubDate><Year>2015</Year><Month>Apr</Month></PubDate></JournalIssue><Title>The Annals of occupational hygiene</Title><ISOAbbreviation>Ann Occup Hyg</ISOAbbreviation></Journal><ArticleTitle>Description and evaluation of a hearing conservation program in use in a professional symphony orchestra.</ArticleTitle><Pagination><MedlinePgn>265-76</MedlinePgn></Pagination><ELocationID EIdType="doi" ValidYN="Y">10.1093/annhyg/meu092</ELocationID><Abstract><AbstractText>Professional orchestral musicians risk permanent hearing loss while playing their instruments. Protecting the hearing of these musicians in the workplace is critical to their ongoing ability to play their instruments, but typical workplace hearing conservation measures can have very damaging effects on the product (music) and the musicians' abilities to hear one another sufficiently. To enable effective intervention, orchestras as employers must encourage engagement with hearing protection programs and implement controls while preserving the integrity of the music. To achieve this, typical approaches used in other industries must be redesigned to suit this unique workplace. In response to these challenges, the Queensland Symphony Orchestra (Brisbane, Australia) introduced a comprehensive hearing conservation strategy in 2005 based upon best practice at the time. This strategy-which has been regularly refined-continues to be implemented on a daily basis. This investigation aimed to assess the successes, difficulties, and practical viability of the program. To achieve this a process evaluation was carried out, incorporating archival analyses, player and management focus groups, and an interview with the program's administrator. Results show the program has successfully become integrated into the orchestra's and the musicians' daily operations and significantly contributes to managing the risk of hearing loss in this population. While there is room for improvement in the orchestra's approach-particularly regarding usable personal protective devices and improved education and training, results are encouraging. This study provides a basis for those wishing to implement or evaluate similar paradigms.</AbstractText><CopyrightInformation>© The Author 2014. Published by Oxford University Press on behalf of the British Occupational Hygiene Society.</CopyrightInformation></Abstract><AuthorList CompleteYN="Y"><Author ValidYN="Y"><LastName>O'Brien</LastName><ForeName>Ian</ForeName><Initials>I</Initials><AffiliationInfo><Affiliation>1.Discipline of Biomedical Sciences, School of Medical Sciences, The University of Sydney, Sydney, Australia iano6965@uni.sydney.edu.au.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Driscoll</LastName><ForeName>Tim</ForeName><Initials>T</Initials><AffiliationInfo><Affiliation>2.Sydney School of Public Health, Sydney, Australia.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Ackermann</LastName><ForeName>Bronwen</ForeName><Initials>B</Initials><AffiliationInfo><Affiliation>1.Discipline of Biomedical Sciences, School of Medical Sciences, The University of Sydney, Sydney, Australia.</Affiliation></AffiliationInfo></Author></AuthorList><Language>eng</Language><PublicationTypeList><PublicationType UI="D023362">Evaluation Study</PublicationType><PublicationType UI="D016428">Journal Article</PublicationType><PublicationType UI="D013485">Research Support, Non-U.S. Gov't</PublicationType></PublicationTypeList><ArticleDate DateType="Electronic"><Year>2014</Year><Month>11</Month><Day>07</Day></ArticleDate></Article><MedlineJournalInfo><Country>England</Country><MedlineTA>Ann Occup Hyg</MedlineTA><NlmUniqueID>0203526</NlmUniqueID><ISSNLinking>0003-4878</ISSNLinking></MedlineJournalInfo><CitationSubset>IM</CitationSubset><MeshHeadingList><MeshHeading><DescriptorName UI="D001315" MajorTopicYN="N" Type="Geographic">Australia</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D003625" MajorTopicYN="N">Data Collection</DescriptorName><QualifierName UI="Q000379" MajorTopicYN="N">methods</QualifierName></MeshHeading><MeshHeading><DescriptorName UI="D004430" MajorTopicYN="N">Ear Protective Devices</DescriptorName><QualifierName UI="Q000706" MajorTopicYN="N">statistics & numerical data</QualifierName></MeshHeading><MeshHeading><DescriptorName UI="D017144" MajorTopicYN="N">Focus Groups</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D006317" MajorTopicYN="N">Hearing Loss, Noise-Induced</DescriptorName><QualifierName UI="Q000517" MajorTopicYN="Y">prevention & control</QualifierName></MeshHeading><MeshHeading><DescriptorName UI="D006320" MajorTopicYN="N">Hearing Tests</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D006801" MajorTopicYN="N">Humans</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D009146" MajorTopicYN="Y">Music</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D009784" MajorTopicYN="N">Occupational Diseases</DescriptorName><QualifierName UI="Q000517" MajorTopicYN="Y">prevention & control</QualifierName></MeshHeading><MeshHeading><DescriptorName UI="D016273" MajorTopicYN="N">Occupational Exposure</DescriptorName><QualifierName UI="Q000009" MajorTopicYN="Y">adverse effects</QualifierName><QualifierName UI="Q000032" MajorTopicYN="N">analysis</QualifierName></MeshHeading><MeshHeading><DescriptorName UI="D009790" MajorTopicYN="N">Occupations</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D009936" MajorTopicYN="N">Organizational Innovation</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D015397" MajorTopicYN="N">Program Evaluation</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D011795" MajorTopicYN="N">Surveys and Questionnaires</DescriptorName></MeshHeading></MeshHeadingList><KeywordList Owner="NOTNLM"><Keyword MajorTopicYN="N">damage</Keyword><Keyword MajorTopicYN="N">exposure</Keyword><Keyword MajorTopicYN="N">hearing</Keyword><Keyword MajorTopicYN="N">music</Keyword><Keyword MajorTopicYN="N">musicians</Keyword><Keyword MajorTopicYN="N">orchestra</Keyword><Keyword MajorTopicYN="N">sound</Keyword></KeywordList></MedlineCitation><PubmedData><History><PubMedPubDate PubStatus="entrez"><Year>2014</Year><Month>11</Month><Day>9</Day><Hour>6</Hour><Minute>0</Minute></PubMedPubDate><PubMedPubDate PubStatus="pubmed"><Year>2014</Year><Month>11</Month><Day>9</Day><Hour>6</Hour><Minute>0</Minute></PubMedPubDate><PubMedPubDate PubStatus="medline"><Year>2016</Year><Month>3</Month><Day>8</Day><Hour>6</Hour><Minute>0</Minute></PubMedPubDate></History><PublicationStatus>ppublish</PublicationStatus><ArticleIdList><ArticleId IdType="pubmed">25381186</ArticleId><ArticleId IdType="pii">meu092</ArticleId><ArticleId IdType="doi">10.1093/annhyg/meu092</ArticleId></ArticleIdList></PubmedData></pubmed><affiliations><list><country><li>Australie</li></country><region><li>Nouvelle-Galles du Sud</li></region><settlement><li>Sydney</li></settlement><orgName><li>Université de Sydney</li></orgName></list><tree><country name="Australie"><region name="Nouvelle-Galles du Sud"><name sortKey="O Brien, Ian" sort="O Brien, Ian" uniqKey="O Brien I" first="Ian" last="O'Brien">Ian O'Brien</name></region><name sortKey="Ackermann, Bronwen" sort="Ackermann, Bronwen" uniqKey="Ackermann B" first="Bronwen" last="Ackermann">Bronwen Ackermann</name><name sortKey="Driscoll, Tim" sort="Driscoll, Tim" uniqKey="Driscoll T" first="Tim" last="Driscoll">Tim Driscoll</name></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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